Was the instrument born with the guitar player in mind and designed for speed and power? Or was the guitar designed to be played by every young aspiring guitarist?
How about a song that celebrates an age of great guitar hero-ism, such as “Old School,” which shows that there was a time – some four decades ago – when guitar was a tool rather than a game, when people learned the basics in a studio or a basement and played along in the presence of friends and teachers.
Maybe that song is about an old guitar, which now stands among the very best guitars. Perhaps that’s the guitar’s true place.
There is some evidence that the guitars of today are built differently than those of a generation ago. Guitar makers of the 1960s and ’70s used aluminum bodies. This was a very tough material for an aluminum guitar maker to cut and was not durable enough to endure high levels of abuse. After so much abuse, aluminum will deform and become unreliable and potentially dangerous.
If you want to play something with more durability, go with a solid wood construction. But when the guitar maker decided to go aluminum, the market for hardwood guitars was saturated.
That’s when guitar makers changed how they created instruments. Instead of using an aluminum body to make a solid wooden body, they moved into a new era, combining the two, creating a new guitar type known as solid body guitars. The shape of a solid body guitar is essentially an inverted box with a rounded back. While these instruments were meant for speed, tone and power, they also allowed the guitar player to put a lot of extra weight on his or her neck and move the instrument away from the natural vibrating of the strings.
Over time, the use of solid body guitars began to be limited. The number of solid body guitar players has declined as manufacturers sought to make bigger profits by making guitars with more mass. In a classic scenario, solid body guitars are often used for live shows.
Now, the guitars are very often produced only to market for performance and performance music. People who play them want to play them at concerts, but the demand for these guitars is just not there. So the manufacturers move into a new era where they produce guitars for a different, niche audience: the young and inexperienced.
It used to be that the biggest problem for guitarists was their lack of familiarity with the instrument. The only way to get a good education was to learn by playing and see and hear what the guitar player
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