Answers: A tenor is someone like Mozart who sings a lot of beautiful unaccompanied music. She may like classical music, but her work is not as famous. She may not like singing in public. Most tenors sing in the church, but don’t always do public singing for that matter. She might be a concert pianist. She could have a talent for writing and performing. It probably doesn’t matter what she sings, but her personal performance will depend on the singers and their personalities. If she had a passion for performing before she was in opera, it is unlikely she would be a tenor.
The next thing I noticed was that an average singer is a lot less skilled than one with tenor skills. That’s not to say a tenor can’t be an up or down tenor–it’s just that if a tenor has tenor skills, the average will be lower. That said, a tenor like the current Tony Bennett is pretty darn good, the best in the world and, in my opinion, the only real possibility for a tenor. So how do tenors do it?
The short answer is that there’s much more to it than technique. We don’t know what separates an outlier from the norm: that’s for everyone to discover. Just from looking at the tenor’s results to date, I’m fairly confident that they have a high level of technical competence, with a bit of personal style. They are also a highly trained singers; they use a great deal of vocal range. This is the “art” of an opera singer: to be able to perform even a single concert-sized performance.
To be clear: the tenor does not have to be a pianist or a professional musician in order to make good opera. As we have seen, the technical skills necessary to be an outlier are pretty standard for many types of musicians. But if he is not, the best performers have a special way of singing or playing, and I don’t see how this can be taught. As an example, consider a tenor on a piano who has to hit every note by ear. He has to be able to sing at a high pitch without breaking a sweat. He’s had to learn what sounds good to others as an example for others to learn to do. This requires years of practice. An outlier is different: he just needs to be a good tenor. We don’t know what separates an outlier from a regular ten
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